This re-evaluation of the Dan O'Bannon-scripted/Tobe Hooper-directed Lifeforce was written by WUD Film Committe member Vincent Mollica A 35mm print of Lifeforce will be the first half of a double bill concluding our Cannon Fodder …
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Ben Reiser Prepares You for THE ANDROMEDA STRAIN
These thoughts on Robert Wise's The Andromeda Strain (1971) were written by Cinematheque Programmer and Accounts Manager Ben Reiser. A 35mm print of The Andromeda Strain will conclude our Sunday Cinematheque at the Chazen: Universal …
A HARD DAY’S NIGHT: “The CITIZEN KANE of the Jukebox Musical”
This essay on Richard Lester's classic A Hard Day's Night was written by UW Cinematheque Programmer and Project Assistant Amanda McQueen. A new 4K DCP restoration of A Hard Day's Night will screen on Saturday, …
Stritch on Film! Matt Connolly on WHO KILLED TEDDY BEAR?
This appreciation of Elaine Stritch and her performance in Who Killed Teddy Bear? (1965) was written by Matthew Connolly, former Cinematheque staff member and Teaching Assistant in the UW Madison Department of Communication Arts. A …
Merman Goes Hollywood!: Amanda McQueen on CALL ME MADAM
This essay on the classic movie musical Call Me Madam (1953) was written by Cinematheque Programmer and Project Assistant Amanda McQueen. A 35mm print of Call Me Madam will screen on Saturday, April 18, at …
DEATH WISH 3 Screening Postponed Until May 4
Due to Badger basketball, the planned screening of Death Wish 3 on Monday, April 6, in the Cinematheque and WUD Film's Cannon Fodder series, has been postponed. Death Wish 3 will now screen at 9 …
DEATH WISH 3: A Classic of Trash Cinema
These notes on Michael Winner's Death Wish 3 (1985), part of our Cannon Fodder series, were written by Maureen Rogers, Teaching Assistant and Ph.D candidate in the Department of Communication Arts at UW Madison. Originally …
TAKING OFF: Forman’s First American Film (and Last Czech Film ?)
This essay on Miloš Forman's Taking Off (1971) was written by Jonah Horwitz, Ph.D Candidate in the Communication Arts Department at UW Madison. A 35mm print of Taking Off, part of our "Universal '71" series, …
10 RILLINGTON PLACE: A Chilling, True Tale of Multiple Murders
These notes on Richard Fleischer's 10 Rillington Place were written by Cinematheque Programmer and Project Assistant Amanda McQueen. A 35mm print of 10 Rillington Place will screen on Saturday, April 4 at 7 p.m. in …
Attenborough’s Pinkie Points to a Great Career.
These notes on the Boulting Brothers' Brighton Rock (1948) were written by Cinematheque Programmer and Project Assistant Amanda McQueen. A 35mm print of Brighton Rock from Rialto Pictures will screen on Saturday, March 28, at …