The following notes on Fellini’s 8 1/2 were written by Dr. John Bennett, PhD, graduate of the Department of Communication Arts at UW – Madison. A newly struck 35mm print of 8 1/2 will screen at the …
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WELCOME TO THE DOLLHOUSE and the Cruelty of Suburbia
The following notes on Todd Solondz‘ Welcome to the Dollhouse were written by Ashton Leach, PhD candidate in the Department of Communication Arts at UW – Madison. A 35mm print of Welcome to the Dollhouse from the …
The Felt-Not-Thought Origins of ERASERHEAD
The following notes on Eraserhead were written by Pate Duncan, PhD student in the Department of Communication Arts at UW – Madison. A 35mm print of Eraserhead will screen at the Cinematheque’s regular space, 4070 Vilas Hall, …
TARGETS: A New Kind of Terror
The following notes on Peter Bogdanovich’s Targets were co-written by Garrett Strpko and Josh Martin, PhD candidates in the Department of Communication Arts at UW – Madison. A 35mm print of Targets screens at the Cinematheque on …
The Random Terrors of Kurosawa’s PULSE
The following notes on Kiyoshi Kurosawa’s Pulse were written by Sarah Mae Fleming, PhD candidate in the Department of Communication Arts at UW – Madison. A 35mm print of Pulse screens at the Cinematheque on Friday, …
The Mad World of DONNIE DARKO
The following notes on Donnie Darko were written by Sarah Mae Fleming, PhD candidate in the Department of Communication Arts at UW Madison. A new 35mm print of Donnie Darko will screen on Friday, September 26 …
NO FEAR, NO DIE and the Legacy of Colonialism
The following notes on No Fear, No Die were written by Ethan Robinson, PhD student in the Department of Communication Arts at UW Madison. Recently restored on DCP, No Fear, No Die will screen on Sunday, …
CLOUD: The Living Ghosts of the Digital Age
The following notes on Kiyoshi Kurosawa’s Cloud were written by Nimish Sarin, PhD candidate in the Department of Communication Arts. A 7 p.m. screening of Cloud on Thursday, September 11 kicks off the Cinematheque’s latest series …
APOCALYPSE NOW: Coppola & Milius’ “Anti-Lie” Movie?
The following notes on Apocalypse Now were written by Garrett Strpko, PhD Candidate in the Department of Communication Arts. The original 1979 “Roadshow” release version of Apocalypse Now will screen in a 4K DCP at the …
COME AND SEE: An Unwavering Gaze
The following notes on Come and See were written by Steph Chung, PhD Student in the Department of Communication Arts. Come and See screens at 4070 Vilas Hall, 821 University Ave, on Saturday, September 6 …