THE HITCHER: ‘I Want You to Stop Me’

The following notes on The Hitcher were written by Josh Martin, the Cinematheque’s Project Assistant and a PhD candidate in the Department of Communication Arts at UW – Madison. A 35mm print of The Hitcher will screen …

The Tumultuous Century of THE GOLD RUSH

The following notes on The Gold Rush were written by Lance St. Laurent, PhD candidate in the Department of Communication Arts at UW–Madison. A new 4K restoration of the original 1925 release version will screen …

The Jukebox Magic of MOULIN ROUGE!

The following notes on Moulin Rouge! were written by Samantha Janes, PhD candidate in the Department of Communication Arts at UW-Madison. A 35mm print of Moulin Rouge! will screen on Friday, October 24 at the Cinematheque’s regular …

The Felt-Not-Thought Origins of ERASERHEAD

The following notes on Eraserhead were written by Pate Duncan, PhD student in the Department of Communication Arts at UW – Madison. A 35mm print of Eraserhead will screen at the Cinematheque’s regular space, 4070 Vilas Hall, …

TARGETS: A New Kind of Terror

The following notes on Peter Bogdanovich’s Targets were co-written by Garrett Strpko and Josh Martin, PhD candidates in the Department of Communication Arts at UW – Madison. A 35mm print of Targets screens at the Cinematheque on …

The Random Terrors of Kurosawa’s PULSE

The following notes on Kiyoshi Kurosawa’s Pulse were written by Sarah Mae Fleming, PhD candidate in the Department of Communication Arts at UW – Madison. A 35mm print of Pulse screens at the Cinematheque on Friday, …