This essay on what might be the final feature film release from Studio Ghibli, When Marnie Was There, was written by Timothy Brayton, first year Graduate Student in the Department of Communication Arts at UW …
Year: 2015
The Fidelity Strategy in HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING
This essay on the screen adaptation of the Broadway musical How to Succeed in Business Without Really Trying (1967) was written by Cinematheque staff member Amanda McQueen. A 35mm print of How to Succeed in …
BYE BYE BIRDIE, Hello Ann-Margret!
This essay on the 1963 movie musical version of Bye Bye Birdie was written by Cinematheque staff member Amanda McQueen. A 35mm print of Bye Bye Birdie will screen at the Cinematheque on Friday, June …
Amanda McQueen on THE LONG, HOT SUMMER
This essay on Martin Ritt's The Long, Hot Summer (1958) was written by Cinematheque Programmer and Project Assistant Amanda McQueen. On Thursday, June 18. a DCP of a recent restoration of The Long, Hot Summer …
Re-discovering Tay Garnett: The “Rowdy Vaudevillian”
These notes on director Tay Garnett and his early features, Celebrity (1928) and Okay, America! (1932), were written by Derek Long, Graduate Student and Teaching Assistant in the Communication Arts Department at UW Madison. 35mm …
Eternal Life and Box-Office Death: Vincent Mollica on LIFEFORCE
This re-evaluation of the Dan O'Bannon-scripted/Tobe Hooper-directed Lifeforce was written by WUD Film Committe member Vincent Mollica A 35mm print of Lifeforce will be the first half of a double bill concluding our Cannon Fodder …
Ben Reiser Prepares You for THE ANDROMEDA STRAIN
These thoughts on Robert Wise's The Andromeda Strain (1971) were written by Cinematheque Programmer and Accounts Manager Ben Reiser. A 35mm print of The Andromeda Strain will conclude our Sunday Cinematheque at the Chazen: Universal …
A HARD DAY’S NIGHT: “The CITIZEN KANE of the Jukebox Musical”
This essay on Richard Lester's classic A Hard Day's Night was written by UW Cinematheque Programmer and Project Assistant Amanda McQueen. A new 4K DCP restoration of A Hard Day's Night will screen on Saturday, …
Stritch on Film! Matt Connolly on WHO KILLED TEDDY BEAR?
This appreciation of Elaine Stritch and her performance in Who Killed Teddy Bear? (1965) was written by Matthew Connolly, former Cinematheque staff member and Teaching Assistant in the UW Madison Department of Communication Arts. A …
Merman Goes Hollywood!: Amanda McQueen on CALL ME MADAM
This essay on the classic movie musical Call Me Madam (1953) was written by Cinematheque Programmer and Project Assistant Amanda McQueen. A 35mm print of Call Me Madam will screen on Saturday, April 18, at …