The following notes on Douglas Sirk's 1956 version of There’s Always Tomorrow were written by Josh Martin, PhD Student in the Department of Communication Arts at UW Madison. A double feature of both the 1934 …
Month: September 2023
ONE FINE MORNING: An Intimate Self-Portrait
These notes on Mia Hansen-Løve's One Fine Morning were written by Pate Duncan, PhD Student in the Department of Communication Arts at UW Madison. One Fine Morning screened as part of the Cinematheque's Fall Premieres …
No Magic, Only Sickness: Romero’s MARTIN
The following notes on George A. Romero's Martin are written by David Vanden Bossche, PhD Candidate in the Department of Communication Arts at UW Madison. Martin screened at the Cinematheque as part of an in-person …
One of Us: Rediscovering Browning’s FREAKS
These notes on Tod Browning's Freaks were written by Ashton Leach, PhD Candidate in the department of Communication Arts at UW Madison. Freaks plays as the second half of a double-bill at the Cinematheque on …
CONTEMPT: Godard’s Odyssey Into International Co-Productions
These notes on Jean-Luc Godard's Contempt (Le mépris) were written by Pate Duncan, PhD Candidate in the Department of Communication Arts at UW Madison. A newly available 4K DCP restoration of Contempt will screen on …
Always In the Mood: The Enduring Appeal of a Hong Kong Classic
These notes on Wong Kar-wai's In the Mood for Love were written by Sarah Mae Fleming, PhD Candidate in the Department of Communication Arts at UW Madison. In the Mood for Love will screen in …