For our maiden voyage on Cinematalk, we are pleased to bring you a conversation with Manohla Dargis, co-chief Film Critic of the New York Times and one of the most widely read film journalists in …
Month: November 2019
TROPICAL MALADY: The Multivalent Cinema of Apichatpong Weerasethakul
These notes on Apichatpong Weerasethakul's Tropical Malady were written by Zachary Zahos, PhD student in UW-Madison’s Department of Communication Arts and Project Assistant for the UW-Cinematheque. A 35mm print of Tropical Malady, courtesy of the UCLA Film & …
JUST MERCY Screening Added to Fall Cinematheque Calendar!
The UW Cinematheque has added a sneak preview screening of Just Mercy to our Premiere Showcase series, on Thursday, November 21. The latest film from writer/director Destin Daniel Cretton (Short Term 12), Just Mercy had …
UNION MAIDS: Visual Impact for Social Change
This essay on Union Maids (1976), directed by Julia Reichert, Jim Klein, and Miles Mogulescu, was written by Matt St. John, Ph.D candidate in the Department of Communication Arts at UW Madison. Our series of …
LEAVE HER TO HEAVEN: Technicolor Noir?
This essay on John M. Stahl's Leave Her to Heaven were written by Tim Brayton, Ph.D candidate in the Department of Communication Arts at UW Madison. A 35mm print of Leave Her to Heaven will …
INTERLUDE: Sirk Remakes Stahl
The following notes on Douglas Sirk's Interlude (1957) were written by David Vanden Bossche, PhD Student in UW-Madison’s Department of Communication Arts and co-organizer of the Antwerp Summer Film School. A 35mm print of Interlude …