This essay on Rainer Werner Fassbinder's Ali: Fear Eats the Soul (Angst Essen Seele Auf, 1973) was written by John Bennett, PhD Candidate in the Department of Communication Arts at UW Madison. A 35mm print …
A Cinema of Beautiful Devastation: ALL THAT HEAVEN ALLOWS
This essay on Douglas Sirk's All That Heaven Allows (1955) was written by Erica Moulton, PhD Candidate in the Department of Communication Arts at UW Madison. A 35mm print of All That Heaven Allows will …
THE LITTLE SHOP OF HORRORS: Lightness in the Face of Mortal Horrors
This essay on Roger Corman's The Little Shop of Horrors (1960) were written by Leah Steuer, PhD candidate in the Media & Cultural Studies division of Communication Arts at UW Madison. A 35mm print of …
The Swoon and Doom of DRAG ME TO HELL
These notes on Sam Raimi's Drag Me to Hell (2009) were written by WUD Film’s Kristen Johnson-Salazar. A 35mm print of Drag Me to Hell will be screened in 4070 Vilas Hall on Saturday, April …
DESERT HEARTS: The Biggest Little Love Story in the World
These notes on Donna Deitch's Desert Hearts (1985) were written by Pauline Lampert, PhD candidate in UW Madison’s Department of Communication Arts. A restored DCP of Desert Hearts, courtesy of the UCLA Film & Television …
TROUBLE IN PARADISE: The Beautiful Mess of Intelligent People
These notes on Ernst Lubitsch's Trouble in Paradise (1932) were written by Matt Connolly, PhD candidate in UW Madison’s Department of Communication Arts. A 35mm print of Trouble in Paradise will screen in our UCLA …
THE GUILT OF JANET AMES: A Quintessential & Self-Reflexive “Psychological Picture”
These notes on The Guilt of Janet Ames (1947) were written by Erica Moulton, PhD candidate in UW Madison’s Department of Communication Arts. A 35mm print of Janet Ames will screen in our Sunday Cinematheque …
Damien Chazelle Events: Reminders
Since we anticipate over-capacity attendance for our Damien Chazelle In Person events this Friday and Saturday, February 23 and 24, we have set up the following procedures: Queues will begin forming 90 minutes before the …
Stretching Out the Suspense: SORRY, WRONG NUMBER
These notes on Anatole Litvak's Sorry, Wrong Number (1948) were written by Lillian Holman, PhD candidate in UW Madison’s Department of Communication Arts. A 35mm print of Sorry, Wrong Number, courtesy of the Library of …
Wilder in Wartime: FIVE GRAVES TO CAIRO
These notes on Billy Wilder's Five Graves to Cairo (1943) were written by Tim Brayton, PhD candidate in UW Madison’s Department of Communication Arts. A 35mm print of Five Graves will screen in our "Reinventing …