These notes on Lina Wertmüller's Seven Beauties (Pasqualino Settebellezze ) were written by John Bennett, UW Cinematheque Project Assistant and Programmer, and PhD Candidate in the Department of Communication Arts at UW Madison. A restored …
SUSPIRIA: A Sublime Symphony of Light and Color
These notes on Dario Argento's Suspiria were written by David Vanden Bossche, PhD candidate in the Department of Communication Arts at UW-Madison. A recently restored 4K DCP of Suspiria will screen at the Cinematheque's regular …
DAGON: Gordon & Lovecraft Reunited
These notes on Stuart Gordon's Dagon were written by David Vanden Bossche, PhD candidate in UW Madison’s Department of Communication Arts. A 35mm print of Dagon will screen in our ongoing Gordon retrospective at the …
Stuart Gordon’s THE PIT AND THE PENDULUM – Action, Absurdity, and Gross-out Horror
These notes on Stuart Gordon's The Pit and the Pendulum were written by Faye Mitchell, who received her MA in Film from the Department of Communication Arts at UW-Madison. A 35mm print of The Pit …
Cinematalk Podcast: LITTLE MURDERS & CARNAL KNOWLEDGE
On a special double feature/dual podcast episode of 70 Movies We Saw in the 70s/Cinematalk commemorating screenings this month at UW Cinematheque, Ben Reiser and Jim Healy take a deep dive into a “Fistful of …
Jazz Redux: THE COTTON CLUB ENCORE
These notes on Francis Coppola's The Cotton Club Encore were written by Samantha Janes, PhD student in UW Madison’s Department of Communication Arts. The Cotton Club Encore screened as one of "A Couple of Coppolas" …
The Humanistic Grace of THE RAIN PEOPLE
These notes on Francis Ford Coppola's The Rain People were written by Lance St. Laurent, PhD candidate in UW Madison’s Department of Communication Arts. A restored 4K DCP of The Rain People from American Zoetrope …
A Slapstick Drama: Peter Bogdanovich’s NICKELODEON
These notes on Peter Bogdanovich's Nickelodeon were written by film fan, film scholar, and film preservationist James Kenney, whose other reviews and essays can be found at https://tremblesighwonder.com/. James Kenney kicked off our current season …
Not Phony: Peter Bogdanovich’s THE THING CALLED LOVE
These notes on Peter Bogdanovich's The Thing Called Love were written by film fan, film scholar, and film preservationist James Kenney, whose other reviews and essays can be found at https://tremblesighwonder.com/. James Kenney kicked off …
The In-Your-Face Kitsch and Gore of FLESH FOR FRANKENSTEIN 3-D
These notes on Flesh for Frankenstein (aka Andy Warhol's Frankenstein) were written by Tim Brayton, PhD candidate in UW Madison's Department of Communication Arts. Flesh for Frankenstein will screen in a new 3-D restoration from Vinegar Syndrome and …