July 31, 2014 - 4:12pm
Posted by Jim Healy

Our recent screening of Alan Resnais’ rarely seen masterpiece, Je T’aime, Je T’aime (called "A magnificent film” by Manohla Dargis of The New York Times), was brought to you in part through the burgeoning film distributor Bleeding Light Film Group.

The founder of Bleeding Light, Brian Block is an Alumnus of the UW-Madison Communications Department. Brian kindly took the time to speak with us on his new company and his thoughts on the film. Here is a transcript of the Q&A.

How did you get started as a film distributor?
It grew out of a need to share films with people. The transition from doing it as a hobby to a business is really about the availability of films in certain formats and the responsibilities that come with that. Look at it this way, if I can't loan a friend a copy of JE T'AIME, JE T'AIME because it's not on DVD in the US, then I might as well strike a 35mm print and show it to as many people as possible.   
What is in the future for the Bleeding Light Film Group? What films are you trying to acquire next?
We don't have anything nailed down at the moment, but we are hoping to get weirder.

What are your thoughts on Je T’aime, Je T’aime?
It's a film I love. I tell people that it's about a time travel experiment gone wrong, forcing the protagonist to relive all the tragedies of his life over and over and over again. Response is typically, "I don't wanna see that - that's already my life." Exactly!

Do you know of anyone planning on releasing Je T'aime, Je T'aime on DVD in the near future such as Criterion Collection?
We're working on making a video version available in North America later this year - stay tuned for details.

When will be the next chance after our screening for folks to see the film?
The print is touring the US and Canada through the end of the year, so there are many opportunities to catch it on screen before it's finally released on home video. Our distribution partners at The Film Desk list all the Je T’aime Je T’aime play dates here:

(interview by Bianca Martin)