Professor Bruce Patterson (quintessential uptight Brit Terry-Thomas) decides to lease the apartment of his fiancée (Celeste Holm) while she is abroad. Complications ensue when her teenage daughter (Weld) decides to visit. Tashlin’s hilarious CinemaScope sex romp comes complete with a pants-dropping finale and a jazzy early score from John (then Johnny) Williams!

An art forger’s daughter (Hepburn) teams up with a suave burglar (O’Toole) to retrieve a fake Cellini statue from a heavily secured museum. Director Wyler, re-teamed with his Roman Holiday discovery Hepburn, finds a suitably light touch for this entertaining caper. It is also helped along by the enormously charming cast, which also includes Eli Wallach, and Hugh Griffith, and bouncy John Williams music.

Indy (Ford) is recruited to infiltrate an ancient, evil cult that has kidnapped and enslaved all of the children from a small village in India. Spielberg's follow-up to Raiders of the Lost Ark adds a great deal more humor and even a musical number to its continuing tribute to classic Saturday matinee adventure films and serials, but it’s the brilliant action sequences, including a rollicking mine car chase, that makes this memorable and a must see on the big screen. This 35mm stereo print that will be shown provides a fine showcase for one of the very best scores of John Williams, who builds on the familiar Raiders march with a whole new set of themes and leitmotifs.

Vietnam veteran Stone’s second movie to deal directly with the war is an adaptation of the autobiography of Ron Kovic. A gung-ho marine who was wounded and paralyzed during his second tour of duty, Kovic returned to the U.S. and became a leading anti-war activist. Born on the Fourth of July is solidly anchored by a powerhouse Cruise performance as Kovic and John Williams’ mournful Americana score, featuring trumpet soloist Tim Morrison.

On New Year’s Eve, a tidal wave flips over a luxury ocean liner, leaving only its bottom sticking up above water. A small group of crafty survivors, led by Man-of-the-Cloth Hackman, face a number of deadly obstacles as they try to make it to the “top” of the vessel. The best-loved of the cycle of 70s disaster movies, this Irwin Allen production features a stormy score by John Williams, who also wrote the music for Earthquake and Allen’s The Towering Inferno.

Bram Stoker’s legendary bloodsucker saga is given a lush, fog-filled 70s update from Badham, director of Saturday Night Fever. The suave and sexy Langella, recreating his turn from a successful Broadway production, is the perfect Dracula for the disco-era and Olivier is an enjoyably hammy Van Helsing. Badham eschews a pop soundtrack, opting for a wonderfully doom-laden orchestral sound courtesy of composer John Williams.