PREMIERE SHOWCASE

Premiere Showcase is the Cinematheque’s effort to bring the boldest and most exciting new cinema back to the big screen. Crafted with the same curat­orial acuity we bring to our repertory series, Premiere Showcase presents exciting new work by contem­porary directors that would otherwise have no theatrical venue in the area. In addition to new films making their local premieres in our LACIS and Special Presentations series, our Spring 2015 lineup also includes the winner of the Palme D’Or at the most recent Cannes Film Festival, Nuri Bilge Ceylan’s Winter Sleep.

  • Fri., Jan. 23 | 7:00 PM
    4070 Vilas Hall

Documentary filmmaker Sunada has been given unprecedented access inside Japan’s Studio Ghibli as she follows the famously private animation director Hayao Miyazaki through almost every production phase of his final feature, The Wind Rises. At the same time, Ghibli’s co-founder Isao Takahata completes his own movie, The Tale of the Princess Kaguya. Though both directors finish with acclaimed works of art, the working methods of these two masters of cinema are revealed to be quite distinct.

  • Fri., Feb. 27 | 7:00 PM
    4070 Vilas Hall

Winner of the Palme d’Or at the 2014 Cannes Film Festival, this engrossing psychological study from Turkish master Nuri Bilge Ceylan (Once Upon a Time in Anatolia) has justly earned comparisons to the best of Chekov and Bergman.  The proprietors of a picturesque hotel ensconced in the Cappadocian mountainside, a wealthy, vain former actor, his young wife, and his recently divorced sister pass the chilly offseason engaged in a series of increasingly barbed tête–à–têtes.  Written with novelistic detail, Winter Sleep grapples with morality with an exactness that is fiercely intelligent and overwhelmingly powerful. (MK)

  • Sat., Mar. 7 | 7:00 PM
    4070 Vilas Hall

Mortensen stars in this majestic, visually stunning new work by one of Argentina’s leading art cinema directors.  In an almost impossibly verdant 1880s Patagonia, a Danish general abandons his company to search for his 15 year-old daughter, who has eloped with a soldier.  Exquisitely framed in the classic Academy aspect ratio and boasting a filmic texture and color pallet that evokes the richness of vintage Technicolor, this ravishing and mysterious quasi-western is among the boldest films of the year. (MK)

  • Sat., Mar. 7 | 9:00 PM
    4070 Vilas Hall

Widely acknowledged as the godfather of New Argentine Cinema, writer/director Rejtman is back in top form with this characteristically digressive and absurdist dramedy, his first fiction feature in eleven years.  When sixteen year-old Mariano finds a gun in his family home, he inexplicably shoots himself—twice.  Even more inexplicably, he survives, and the remainder of the film hops between narrative threads to track the impact of Mariano’s impulse on his friends and family.  “[Rejtman has] one of the sharpest, savviest, and must humane comic sensibilities in contemporary cinema… his fatalistic, obsessive-compulsive, bone-dry jokes get funnier and more profound the longer they are kept up” (Cinema Scope).

  • Sat., Mar. 14 | 7:00 PM
    4070 Vilas Hall

This wry, literate, and existential comedy kicks off when a dying hit man flees his Buenos Aires hospital bed and embarks on a cross-country road trip to finish one last job.  Along the way, he picks up a much younger woman, who, sitting shotgun in his Ford Falcon, becomes an object of lust, surrogate daughter, and de facto nurse.  Fueled by dueling narrators, this shaggy, formally playful gem won multiple awards at the San Sebastian Film Festival. (MK)

  • Sat., Mar. 14 | 8:45 PM
    4070 Vilas Hall

Two women meet for a job interview that spills over into an intimate dialogue that encompasses their secret loves, fears, and dreams.  Filmed entirely in a single shot and over the course of a single conversation, this one-of-a-kind indie won Best Argentine Film and Best Argentine Director at the 2013 Mar del Plata Film Festival. “Arresting… a great, different, experimental and entertaining debut from a director that is worth keeping up with” (International Federation of Film Critics). (MK)