Cinematalk Podcast #6: Dan Sallitt & FOURTEEN

Wednesday, May 13th, 2020
Posted by Jim Healy

On this week's Cinematalk, the official podcast of the UW Cinematheque, a conversation with writer/director Dan Sallitt.

Sallitt's fifth and latest feature, entitled Fourteen, is his first movie since The Unspeakable Act, which screened at the 2013 Wisconsin Film Festival. In the words of Cinematheque Programmer Mike King, Fourteen "is an absorbing and deeply moving portrait of long-term friendship. Inseparable since middle school, Mara and Jo find themselves drifting down different paths in their twenties—Mara naturally eases into young adulthood, while Jo struggles with commitments and substance abuse. Through seamless temporal ellipses, Sallitt charts their lasting bond over the course of a decade of change."

Mike King's talk with Dan Sallitt focuses on Fourteen and its production, Sallitt's development as an artist, and his evolving appreciation of French auteur Maurice Pialat. The talk concludes by touching on Sallitt's current viewing habits and passionate cinephilia, which you can learn more about on Sallitt's home page

Plus, learn about how to view Fourteen at home for free, along with three early features of Sallitt's: Polly Perverse Strikes Again! (1986), Honeymoon (1998), and All the Ships at Sea (2004). All of which will be available starting Friday, May 15.

Listen to Cinematalk below!

Cinematalk Podcast #5: SPACESHIP EARTH + DEERSKIN

Thursday, May 7th, 2020
Posted by Jim Healy

On the first Cinematalk episode since January (and the outbreak of COVID-19), Jim Healy and Ben Reiser discuss what has been happening with UW film culture since earlier this year and what the upcoming programming plans are for the next few months.

Then, a discussion of Matt Wolf's fascinating new documentary Spaceship Earth, which premiered at the 2020 Sundance Film Festival and is now available for home viewing here.

On the final part of the podcast, the Cinematheque's Kelley Conway and Mike King discuss Quentin Dupieux's absurdist comedy Deerskin, starring Jean Dujardin. Deerskin, like Spaceship Earth, was originally a selection of the 2020 Wisconsin Film Festival, and is now available for home viewing here.

Plus: Digressions on Bruno Dumont, Pauly Shore, and also the Spring 2020 Communication Arts Showcase, which can be viewed here for free!

50% of revenues generated from the rentals of Spaceship Earth and Deerskin will directly benefit the UW Cinematheque. Thanks for your support!

Cinematalk Podcast #4: Bob Furmanek

Thursday, May 7th, 2020
Posted by Jim Healy

An in-depth conversation with film historian, archivist, and preservationist Bob Furmanek about the history of 3-D filmmaking and exhibition. Furmanek is also the founder of the 3-D Film Archive.

Cinematalk Podcast #3: James Runde

Thursday, May 7th, 2020
Posted by Jim Healy

We were recently joined in the studio by James Runde, a Madison-based filmmaker and graduate of the Communication Arts department here at UW Madison. James has had four films in as many years at the Wisconsin Film Festival, starting with a short film at the 2016 Festival called WHITE AND LAZY. In 2017 he brought the short animated piece PATTI to the festival. In 2018 the Festival premiered LESLIE, a short that represented a section of Runde's nearly feature length effort, PLAYED OUT. PLAYED OUT then showed in its entirety at the 2019 Festival and it won a prestigious Golden Badger Award for excellence in Wisconsin filmmaking. Over the course of about an hour, James and Ben Reiser discuss many things, from shooting on 16mm film to movies he loves, music he enjoys, the controversy surrounding the title of his WHITE AND LAZY film, and his thoughts on regional filmmaking. But our conversation begins with us teasing him about his recent revisions to PLAYED OUT and the idea of a final version of art in this digital age.

Cinematalk Podcast #2: Schawn Belston

Tuesday, December 3rd, 2019
Posted by Jim Healy

On March 20, 2019, 20th Century Fox ceased to exist when the Walt Disney Co. completed its acquisition of what was once one of Hollywood’s six major studios. Although their catalogue stretches back more than 100 years, 20th Century Fox was officially formed in 1935 with the merging of two smaller studios, Fox Film Corporation and 20th Century Pictures.

To commemorate this significant moment in cinema history, we invited back a regular Cinematheque guest, film archivist and preservationist Schawn Belston, to speak to our audiences and chat with us here on Cinematalk.

In a career at Fox that spanned more than 25 years at Fox, Schawn’s work in film preservation began with the 1997 re-issues of the original STAR WARS TRILOGY. He eventually became Executive Vice President of Media and Library Services at Twentieth Century Fox, oversseing all archival and preservation work of the studio’s extensive library. Today, Schawn is a Senior Vice-President at the Walt Disney Company where he still looks after the Fox library, in addition to the Disney Studio’s catalogue.

Schawn joined us on November 8 and 9 to present a special clip-filled history of 20th Century Fox called FOX: AN APPRECIATION, and an archival print of John M. Stahl’s great melodrama, LEAVE HER TO HEAVEN.

The Cinematheque’s series tribute to Fox continues on Friday, December 6 with a double feature of two pre-code titles from the Fox Film Corporation, 1932’s QUICK MILLIONS starring Spencer Tracy, and 1933’s BLOOD MONEY, with George Bancroft, Judith Anderson and Frances Dee. Both films were directed by the talented and mysterious Rowland Brown. Then, on December 15, the Cinematheque’s 2019 programming will conclude with a contemporary classic from 20th Century Fox, the original 1988 DIE HARD, showing in a 35mm print from the collection of the Chicago Film Society.

Cinematalk Podcast #1: Manohla Dargis

Monday, November 25th, 2019
Posted by Jim Healy

For our maiden voyage on Cinematalk, we are pleased to bring you a conversation with Manohla Dargis, co-chief Film Critic of the New York Times and one of the most widely read film journalists in the country. Prior to her current position, she wrote film criticism for The Village Voice, L.A. Weekly, and The Los Angeles Times.

On October 31, Manohla Dargis visited our Communication Arts Department to speak with Graduate Students and to present a Cinematheque program that she personally curated, highlighting the works of pioneering women filmmakers from the silent era, a subject she’s been dedicated to celebrating in her New York Times columns.

She also took the time to sit down and chat with Ben Reiser. They spoke about her time spent at SUNY Purchase, her moviegoing childhood, how she became a film writer, the joys of second-run cinemas, and much more. Here’s their conversation: