The following notes on Coffy were written by Sarah Mae Fleming, PhD student in the Department of Communication Arts at UW-Madison. Coffy screens at the Cinematheque on Friday, February 21 as part of our “Claudine, Coffy, …
CinemaTalk Podcast: Joe DeBoer & Kyle McConaghy on DEAD MAIL
This February at the UW Cinematheque, in our ongoing series of new international movies making their first local theatrical showings, we present the Madison Premiere of Dead Mail, written and directed by the talented duo …
The Distinct Rhythms of SEVEN SAMURAI
The following notes on Seven Samurai were written by Mattie Jacobs, PhD candidate in Film in the Department of Communication Arts at UW – Madison. A new 4K DCP of Seven Samurai screens on Saturday, February …
SORCERER – From ‘Film Maudit’ to Cult Classic
The following notes on William Friedkin’s Sorcerer were written by Lance St. Laurent, PhD candidate in Film in the Department of Communication Arts at UW – Madison. Sorcerer screens on Friday, February 7 at 7 p.m., …
The Timeless Vitality of THE WAGES OF FEAR
The following notes on The Wages of Fear were written by Josh Martin, PhD student in the Department of Communication Arts at UW–Madison. A newly restored 4K DCP of The Wages of Fear will screen …
The Re-discovery of LAFCADIO
The following notes on Lafcadio were written by Dr. Zach Zahos, Public History Fellow at the WCFTR and alumnus of the department of Communication Arts at UW-Madison. On Sunday, January 26, Lafcadio will screen on …
Goon: George Roy Hill’s SLAP SHOT
The following notes on Slap Shot were written by Will Quade, PhD candidate in the Department of Communication Arts at UW-Madison. A 35mm print of Slap Shot will screen at 7 p.m. on Saturday, January …
THE BRUTALIST: The Enigma of Corbet
The following notes on Brady Corbet’s The Brutalist were written by Josh Martin, PhD student in the Department of Communication Arts at UW Madison. The Brutalist makes its Madison Premiere on Thursday, January 23, 2025, …
Bresson’s L’ARGENT: Following the Money
The following notes on L’Argent were written by Pate Duncan, PhD Student in the Communication Arts department at UW-Madison. The last of a three film series highlighting Bresson’s final works, a restored DCP of L’Argent …
Duality in Lee Chang-dong’s POETRY
The following notes on Poetry were written by Josh Martin, PhD Student in the Communication Arts department at UW-Madison. Poetry will screen in a new DCP on Saturday, November 9 at the Cinematheque’s regular venue, …