The following notes on The Parallax View were written by Josh Martin, PhD student in the department of Communication Arts at UW Madison. The Parallax View will screen at the Chazen Museum of Art on …
Don’t Eat the Chili! THE TEXAS CHAINSAW MASSACRE 2
The following notes on The Texas Chainsaw Massacre 2 were written by David Vanden Bossche, PhD Candidate in the department of Communication Arts at UW Madison. A 35mm print of The Texas Chainsaw Massacre 2 …
LITTLE SHOP OF HORRORS: The Consummate – and Consuming – Movie Musical
The following notes on Little Shop of Horrors were written by Samantha Janes, PhD Student in the Department of Communication Arts at UW-Madison. Frank Oz' Director's Cut of Little Shop of Horrors will screen as part of …
The Enduring Popularity of BIG TROUBLE IN LITTLE CHINA
The following notes on John Carpenter's Big Trouble in Little China were written by Lori Lopez, Professor of Communication Arts and Director of the Asian American Studies Program at UW-Madison. Big Trouble in Little China screened at …
WAITING FOR THE LIGHT TO CHANGE: A Quiet Meditation on Young Adulthood and Stasis
The following notes on Linh Tran's Waiting for the Light to Change were written by Nick Sansone, PhD Student in Department of Communication Arts at UW-Madison. Waiting for the Light to Change will screen as …
Blue Moon: Stanwyck and MacMurray Reconnect in Sirk’s Heartbreaking THERE’S ALWAYS TOMORROW
The following notes on Douglas Sirk's 1956 version of There’s Always Tomorrow were written by Josh Martin, PhD Student in the Department of Communication Arts at UW Madison. A double feature of both the 1934 …
ONE FINE MORNING: An Intimate Self-Portrait
These notes on Mia Hansen-Løve's One Fine Morning were written by Pate Duncan, PhD Student in the Department of Communication Arts at UW Madison. One Fine Morning screened as part of the Cinematheque's Fall Premieres …
No Magic, Only Sickness: Romero’s MARTIN
The following notes on George A. Romero's Martin are written by David Vanden Bossche, PhD Candidate in the Department of Communication Arts at UW Madison. Martin screened at the Cinematheque as part of an in-person …
One of Us: Rediscovering Browning’s FREAKS
These notes on Tod Browning's Freaks were written by Ashton Leach, PhD Candidate in the department of Communication Arts at UW Madison. Freaks plays as the second half of a double-bill at the Cinematheque on …
CONTEMPT: Godard’s Odyssey Into International Co-Productions
These notes on Jean-Luc Godard's Contempt (Le mépris) were written by Pate Duncan, PhD Candidate in the Department of Communication Arts at UW Madison. A newly available 4K DCP restoration of Contempt will screen on …