ABOUT THE CINEMATHEQUE
The Cinematheque represents UW-Madison academic departments and student film groups and is dedicated to showcasing the best in international cinema history and fine films which would otherwise never reach Madison screens. As the screening facility of the Wisconsin Center for Film and Theater Research (WCFTR) and a member of the International Federation of Film Archives (FIAF), the Cinematheque regularly showcases archival and other rare prints from around the world. The Cinematheque screens films while the University is in session during the Fall and Spring semesters and for four to five weeks during the summer. The Cinematheque has one of the finest projection facilities in Wisconsin and screens a variety of formats, including DCP (Digitial Cinema Package), 35mm and 16mm (both on reel-to-reel projection systems), and multiple standard and high definition video formats. It is the Cinematheque's policy to screen films only in the best available versions in the correct aspect ratio, and, if silent, at the appropriate speed and with musical accompaniment. Funding has been provided by generous grants from the Anonymous Fund, as well as support from the Chazen Museum of Art. Special thanks to Interim Dean John Eric Wilcots, Associate Dean Susan Zaeske, and the College of Letters and Science for their continued support.
All Cinematheque screenings are free and open to the public on a first-come, first-seated basis. Doors open thirty minutes before showtime. In consideration of our audiences, no one will be admitted 15 minutes after the scheduled start time of any program. Donations are accepted at the door or through our website (http://cinema.wisc.edu/donate). Tax-free charitable donations can be made to the Friends of Film Fund.
For wheelchair access to 4070 Vilas Hall, please provide 24 hour notice by writing email@example.com or call 608-262-3627.
September-December 2021 programming would not have been possible without invaluable assistance from our friends: Olivia Babler; Sarah Beckham; David Bordwell; Brandon Colvin; Kelley Conway; David Drazin; Erik Gunneson; Eric Hoyt; Mary Huelsbeck; Lea Jacobs; Christina King; Ken Kwapis; Sarah Linkert; Lori Kido Lopez; Darshana Midi; Jame Runde; Robin Schmoldt; Ben Seigel; Peter Sengstock; Scot Shepley; Anthony Banua-Simon; Jeff Smith; Jennifer TishlerCandie Waterloo; For providing film prints and DCPs, we thank the following: A24 (Cameron Porette); Cineteca Nacional Mexico (Gabriela Camacho); Cohen Media Group (Tim Lanza); Criterion Motion Pictures (Brian Fox); Deaf Crocodile Films (Dennis Bartok); IFC Films (Danielle Freiberg; Jasper Basch); Janus Films (Brian Belovarac); Magnolia Pictures (Neal Block); Metrograph (George Schmalz); MPI (Wyatt Olstead); Museum of Modern Art (James Layton; Katie Trainor); Music Box Films (Kyle Westphal); Neon (Guoda Ungulaityte); Park Circus (Chris Chouinard); Sony Pictures (David Jennings); Strand Releasing (Nathan Faustyn); Stray Factory (Mathivanan Rajendran) Swank Motion Pictures (Randy Andrews & Dana Hillyer); Universal Pictures (Jason Jackowski); Zeitgeist Films (Nancy Gerstman).
Unless otherwise noted, calendar notes written by Jim Healy. Additional writing by Mike King (MK), Lori Kido Lopez (LKL), Darshana Sreedhar Mini (DSM), Ben Reiser (BR), and Zachary Zahos (ZZ).